GALERIA-Georgia O'Keeffe_en

Raking light of the painting “White Iris No. 7”, 1957 — Raking light of the painting “White Iris No. 7”, 1957
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“New York Street with Moon”: Comparative visible image and radiographic image — “New York Street with Moon”: Comparative visible image and radiographic image
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Composition of images from the painting "Shell and Old Shingle V", 1926 — Composition of images from the painting "Shell and Old Shingle V", 1926
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Visible image of the painting "Shell and Old Shingle V", 1926 — Visible image of the painting "Shell and Old Shingle V", 1926
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Detail of the back of the painting "Shell and Old Shingle V", 1926 — Detail of the back of the painting "Shell and Old Shingle V", 1926
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Visible image of the painting “New York Street with Moon”, 1925 — Visible image of the painting “New York Street with Moon”, 1925
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“White Iris No. 7”: Comparative between visible and infrared image — “White Iris No. 7”: Comparative between visible and infrared image
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Detail of the restoration team studying the painting "From the Plains II" — Detail of the restoration team studying the painting "From the Plains II"
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"From the Plains II": Comparative between visible and infrared imaging — "From the Plains II": Comparative between visible and infrared imaging
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Detail of the color catalogs made by Georgia O'Keeffe — Detail of the color catalogs made by Georgia O'Keeffe
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Visible image of the painting "From the Plains II", 1954. — Visible image of the painting "From the Plains II", 1954
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Detail of the micro-sample taken from the painting "From the Plains II", 1954 — Detail of the micro-sample taken from the painting "From the Plains II", 1954
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Detail of the restoration team developing the technical study — Detail of the restoration team developing the technical study
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Technical study of the work “White Iris No. 7”, 1957: comparative image taken with ultraviolet light, visible light and raking light — Technical study of the work “White Iris No. 7”, 1957: comparative image taken with ultraviolet light, visible light and raking light
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Image visible of the painting “Abstraction. Blind I”, 1921 — Image visible of the painting “Abstraction. Blind I”, 1921
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Back of the painting “Abstraction. Blind I”, 1921 — Back of the painting “Abstraction. Blind I”, 1921
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