Renata Ribeiro. Ebó, mandinga and garrafadas: recipes in between the culture to survive the end 

In the midst of narratives and events that convey the feeling that we are socially going through or heading towards the end of the historical reality we know, this performance aims to reflect on how cultural and artistic artefacts or devices devised by women present alternative paths to follow, avoiding a final collisionl. 

From the individual extrapolated to the collective, an atlas of experiences, works and projects is created where the knowledge originated in the intermediate space - configured in the juxtaposition between native and foreign - is used as tools (or weapons) of resistance. These are cultural artefacts and experiences that claim to seek, in silenced epistemologies and in their spaces of hybridization with hegemonic knowledge, solutions to fight against climate collapse, against violence against vulnerable bodies, or to find new forms of political and social organization that propose alternatives to skirt the main roads that seem to drag us to a point of no return.