Susana Pilar. Free

With this performance, the artist seeks to propose an empowered, self-aware and feminist vision of black Cuban women. A major reference point for this performance is the work Abduction of the mulatto women (1938) by Carlos Enríquez, in which she understands that the woman is denigrated. 

The performance reacts to these types of representation and attempts to propose new readings of works that undermine the dignity of black women.