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Restoration Thyssen
It strives to restore the integrity of works by applying treatments that prolong the life of these cultural assets and to remedy the damage caused by the passage of time and the ageing of materials.
Discover the Restaurabits
Secrets and curiosities of the works
Restaurabit
The composition concealed beneath Picasso’s Harlequin
Concealed beneath the paint layers of the composition visible today in Picasso’s Harlequin with Mirror is a different creation.
Restaurabit
Saint Catherine’s enigmatic dress
Can you imagine Saint Catherine dressed in red? That is the colour we discovered during our research when the work’s materials were analysed. It would have been part of an initial version of the clothing of Caravaggio’s figure.
Technical Studies and Conservation Work
Conservation/restoration projects and technical studies reflect the results of the examinations carried out by the department. This work helps glean new information and rediscover the pieces in the permanent collection
Restoration and technical study
Carpaccio’s Knight
Carpaccio’s Knight is a painting that is as dazzling as it is enigmatic. We still do not know the man’s identity, even though historians have been coming up with various hypothesis for the past century. The most recent proposal, put forward by Professor Augusto Gentili, is that he is a Venetian captain stationed at a naval base in Greece who was defeated by the Turks and beheaded in Istanbul.
Technical study
Georgia O'Keeffe in the Thyssen-Bornemisza Collections
To mark the first Georgia O’Keeffe retrospective in Spain, the Museo Nacional Thyssen-Bornemisza decided to carry out research on the five paintings belonging to its collections, dated between 1921 and 1957, in order to examine the artist’s technique in depth.
Restoration and technical study
Technical study and restoration of The Piazza San Marco in Venice by Canaletto
The technical study and restoration of Canaletto’s work The Piazza San Marco in Venice was made possible by the sponsorship of Artika and a crowdfunding campaign to which over six hundred people contributed.
The painting had been distorted by the oxidation of the varnish layer, creating a brownish-yellow film that obscured the colours and luminosity of the original.
Meet the Restoration team
Research projects
Approach the restoration process
Supports restoration projects
Collaborate actively with the museum in its studies and projects